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EXPERIENCE OF USING OF "ALIENATION EFFECT" OF B. BRECHT BY KAZAKH THEATERS

Abstract

The method of the “epic theater” of the outstanding German playwright, director and theorist of the stage B. Brecht is one of the few topics not studied in the Kazakh theater science. In recent years, progressive directors have seen an increased interest in the “epic theater” in the Kazakhstan theater process. In this regard, the article attempts from the standpoint of theater science to clarify the method of “alienation effect”, which is the basic principle of the “epic theater”, to evaluate its role and the scope of its application in the modern theatrical process. It reveals the artistic level of acting and directorial interpretations based on the analysis of “Avalanche” by T. Juzhenogly and “Karagoz” by M. Auezov, which have become a significant event in the history of the national scene. It is proved that the use of this method B. Brecht allows the national theater to bring new artistic ideas.

About the Authors

S. M. Nusipbai
Kazakh National Academy of Arts named after T. Zhurgenov
Kazakhstan

Master student

Almaty



М. B. Zhaksylykova
Kazakh National Academy of Arts named after T. Zhurgenov
Kazakhstan

Associate Professor, candidate of art history

Almaty



A. S. Erkebai
Kazakh National Academy of Arts named after T. Zhurgenov
Kazakhstan

Associate Professor, candidate of art history

Almaty



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Review

For citations:


Nusipbai S.M., Zhaksylykova М.B., Erkebai A.S. EXPERIENCE OF USING OF "ALIENATION EFFECT" OF B. BRECHT BY KAZAKH THEATERS. Bulletin of Kazakh National Women's Teacher Training University. 2019;(3):289-294. (In Russ.)

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ISSN 2306-5079 (Print)